stimuli
My portfolio is here. Also, check out my (other) tumblr for my own work.
The identity for Flow Festival builds on the idea of the festival crowd as an urban tribe, united by a metaphorical mantra of a visual wordplay set in the bespoke Flow-typeface influenced by contemporary central European trends of postmodern craftsmanship.
Yusaku Kamekura (1915-1997)
by Tim Garwood
Paintings by Eugene Von Bruenchenhein (1910–83)
by Wade Guyton / Combined with photography, printmaking can provide rich surfaces and new options of manipulation that will shift meaning and presence, while providing a unity of surface.
Liza Riddle: Three closed forms
Lynda Benglis UNTITLED, 1972 Plaster, fabric and spray paint 51 x 32 x 9 inches
Headland by Dexter Dymoke: “It is interesting to think of the manipulation of materials as mischievous. Play is outside authority – it is anarchic and I use it in this spirit. The child, who is almost in all respects helpless, is completely autonomous in the arena of play. He or she cannot explain how it happens – in this sense the activity is free and oblivious. Play, and perhaps art making, is where you innocently do what you want”.
By Vince Contarino: “Tripping the Alarm”, 2009, acrylic on canvas
“For all we know” by Ken Eastman
Untitled by Jun Kaneko
“Dear Old Friend” (Magdalena Sikora)
